No. 17 · Monday, 26 October 2026

The Sanctuary Gazette

The Swedish project MZ.412 brings together fourteen unreleased tracks recorded between 1989 and 2017 on The Nar Mattaru Curses. Dead Astronauts, which passed through Cold Transmission Music, releases Shallow Grave, a sequel to the album Ghosts, and Louder Than War looks back at goth in Leeds on 21 September.

Cover story

Cover of the album The Nar Mattaru Curses by MZ.412.
Bandcamp
industriel / dark ambientReadAnnounced on 25 October 2026

MZ.412 gathers fourteen unreleased recordings from 1989 to 2017 on The Nar Mattaru Curses

The Swedish project MZ.412, active since 1987, releases The Nar Mattaru Curses, an album of fourteen pieces composed between 1989 and 2017. All were recorded at the Nar Mattaru studio by Henrik Nordvargr Björkk, Jonas Aneheim and Jouni Ollila. These are recordings that had been left in the drawer, brought together here for the first time.

The record blends industrial and dark ambient, leaving ample room for experimentation, at times close to free composition. It alternates between orchestral passages and fragments of great sonic intensity. One excerpt, “Fire”, can be heard on Cold Spring's Bandcamp.

The three musicians are also known for the EBM project Pouppée Fabrikk. Side-Line, which hails MZ.412 as a pioneer of industrial and dark ambient, gives the album a score of 8.

BandcampSpotify

Source : Side-Line, 25 October 2026 ↗ · Primary source : coldspring.bandcamp.com ↗

New releases

Cover of the album Shallow Grave by Dead Astronauts.
Bandcamp
post-punk (à confirmer)ReadAnnounced on 23 October 2026

Dead Astronauts delivers Shallow Grave, an album blending gothic rock, post-punk and darkwave

The duo Dead Astronauts, made up of Jared Kyle and Slade Templeton, releases Shallow Grave, the follow-up to the album Ghosts. The project has already put out records on Cold Transmission Music and NewRetroWave.

The record combines the romantic fatalism of gothic rock, the mechanics of post-punk and the synthetic architecture of darkwave. It opens with An Intro, a whispered poem over synthesizer pads, then moves into Bodies, which tackles violence and its psychological consequences over post-punk rhythms.

The title track, Shallow Grave, deals with a relationship turning into self-destruction. Get Lost and Glistening Things explore emotional dependency and the transformation of the body, Who Kills Who organized oppression, and Stuck (In a Modern Day Cult) psychological manipulation.

BandcampSpotifyYouTube

Source : Post-Punk.com, 23 October 2026 ↗

Videos

ReadAnnounced on 20 October 2026

Motor!k puts Forms to images in an official visualizer

Motor!k has put out an official visualizer for Forms on the Out of Line YouTube channel. The track was written and produced by Joeri Dobbeleir, and the visualizer is by Shovan Chowdhury.

Motor!k consists of Dirk Ivens (guitars, effects), Joeri Dobbeleir (guitars, synthesizers) and Simon Ruyssinck (drums).

Spotify

Source : YouTube, Out of line, 20 October 2026 ↗

The industrial workshop

Artwork for the release Tesoros Infernales by Red Deviil.
Side-Line
EBM, dark-electroReadAnnounced on 21 October 2026

Red Deviil releases Tesoros Infernales on X-IMG, with remixes by Arnaud Rebotini

Red Deviil, a Mexican duo from Tuxtla Gutiérrez formed by Guni Ca and Blak G, releases Tesoros Infernales on X-IMG, where it had already put out an album. The release has nine tracks, including three remixes by Filmmaker, Mind | Matter and Arnaud Rebotini.

The duo draws on EBM and dark electro. With one exception, the tracks are entirely instrumental, without a single vocal sample, resulting in cinematic-sounding EBM in a very dark atmosphere.

Red Deviil's catalogue includes Inframundo (2021, OSM Tapes), Monster Reborn (2022, Detriti Records), Akerbeltz (2023, Haunted Space Records), Overkill (2023, Intervision), Vida Bandida (2024, Synthicide) and Kristo Siniestro (2025, Tjalk Records). Side-Line rates Tesoros Infernales 8 and singles out the Arnaud Rebotini remix as its highlight.

Spotify

Source : Side-Line, 21 October 2026 ↗

Memory

Illustration for the Louder Than War article on the early days of goth.
Louder Than War
gothic rockReadAnnounced on 24 October 2026

The origins of goth in Leeds: Dave Thomson looks back at the Merrion Centre basement

Louder Than War published a piece by Dave Thomson on September 21, 2026, devoted to the first years of goth. The site presents it as an extension of The Art Of Darkness - the History of Goth, the book by John Robb, head of LTW.

Thomson starts from post-punk, between 1979 and 1982, when bands and producers in the United Kingdom and Ireland rejected established rules and independent music fragmented city by city. He places the capital of this dark offshoot in Leeds, a city hit by factory closures and by the shadow of the Yorkshire Ripper, who was still at large.

The text describes a club, Le Phonographique, located in the basement of the Merrion Centre shopping centre. A fluid scene, open to all, takes shape there, dressed in secondhand clothes dyed black. Thomson compares it to Northern Soul: people remembered not so much artists as certain of their songs, depending on their character.

Source : Louder Than War, 24 October 2026 ↗


Written automatically by The Sanctuary Gazette from the sources cited.

The Gazette has no commercial aim, it simply wants to spread the word about the scene and the media that cover it. Every article is rewritten and links back to its source, we follow each site's access rules, and any publisher who wishes can ask us to take content down: just get in touch.

Series data: TVmaze (CC BY-SA 4.0)

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